Tuesday, February 25, 2020

Gary Quackenbush - Guitarist For 60's Psychedelic Band SRC Out Of Detroit, Michigan

Gary Quackenbush came to rock fame as guitarist for the SRC, one of the biggest bands to come out of Detroit's rock scene in the '60s. He was born in New Jersey, the son of Mary and Eugene Quackenbush. The family moved around a lot because his father was in the military, but once they settled in Birmingham in 1956, the moving ended. 

Gary and older brother Glenn became known around Birmingham with first the Tremelos, playing instrumental Ventures-style music.

"I was kind of a nerdy kid," said Glenn, 17 months older than Gary. "I asked my parents for classical piano lessons when I was in the fourth grade. They wanted Gary to play an instrument, too, so he chose the guitar because he liked Elvis. Well, he corrupted me with rock and roll. I bought a Wurlitzer electric piano, and we used to play in our family room and out on the back porch."

The Tremelos morphed into the Fugitives, one of the north suburbs' more popular bands on the school and teen-club circuit. They often played the various Hideout clubs, co-founded by Edward "Punch" Andrews, better known today as Bob Seger's manager. Gary Quackenbush graduated from Birmingham Seaholm in 1966.

The Fugitives "became" the Scot Richard Case (SRC) by taking part of the Fugitives, incorporated Richardson, guitarist Steve Lyman and bassist Robin Dale, and named themselves the Scot Richard Case. Manager Jeep Holland had suggested that three-word group names were big with British groups.

And the band was heavily influenced by the British groups, with Gary Quackenbush enamored of guitarists Jimi Hendrix, Eric Clapton and Jeff Beck. The Scot Richard Case, and later in their SRC days, had a progressive/psychedelic sound that was unique in the local scene. One of their best-known numbers was a sort of psychedelic mashup, "In the Hall of the Mountain King/Bolero."

By 1967-'68, the Detroit-Ann Arbor rock scene was exploding. Record companies had been signing San Francisco rock bands and were looking for the next big thing."We had a single that came out that was on WKNR, 'I'm So Glad,' in '67, right about the time of the riots," Glenn Quackenbush said. "Then we changed our name to SRC and signed to Capitol Records."

"They thought Detroit was it, so they really signed up everybody, The MC5, the Amboy Dukes," Glenn said. "It was an exiting time; there were lots of places to play, lots of teen clubs, so the bands could make some money. That all changed later on after the Grande closed."

The SRC recorded three albums for Capitol and played as an opening act on many national tours. They remained popular abroad, and reportedly, Peter Gabriel has cited their album, "SRC," as influential. 

Later the group splintered, and the 
Quackenbushe
s stayed in Michigan, while Richardson moved to California. After the Grande Ballroom closed, the scene shifted to bars. Over the years there were fewer places to play, and few national acts were booking local openers. 

In recent years, Gary supported himself working for an electronics distributor as a sales representative, working in a wedding band with brother Glenn and a female singer; and giving guitar lessons.

"It wasn't playing SRC music, which is really what he wanted to do," Glenn recalled, although Gary formed a band to play SRC music.

Members of the original SRC did regroup for reunion shows in Detroit in 2011 and 2012, which was a happy occasion for Quackenbush, fans and the band.

Younger sister Martha Leabu said it was fun growing up with "two rock and roll older brothers," although she worried about them during the '60s, when they were living in Ann Arbor. "I was 6 and 7 years younger, so I was not part of their scene. They were renegade rock and rollers. My dad didn't want to take them to the country club."

She did benefit from it: "(SRC) did play for my 16th birthday at the Birmingham Palladium, that was fun."

Gary Quackenbush is survived by brother, Glenn, of New Hudson; sister, Martha Leabu, of Brighton; and 10 nieces and nephews.

Gary Quackenbush died June 20, 2017, after a yearlong bout with pulmonary fibrosis. Quackenbush was 67 and lived in Tecumseh, Mich., where he was under hospice care.

Source: Susan Whitall, The Detroit News, Published 5:46 p.m. ET June 22, 2015 | Updated 6:37 a.m. ET June 23, 2015 

Thursday, February 20, 2020

John Duncan Quackenbos - Doctor And Author Of Educational Books

John Duncan Quackenbos, son of George Payn Quackenbos (Teacher/Author) was born April 22, 1848. He married Laura Amelia Pinckney of New York City on June 28, 1871. They gave birth to Alice Pinckney Quackenbos in 1872, Caroline Duncan Quackenbos in 1877, and George Payn Quackenbos in 1879. 

John Duncan Quackenbos was graduated A. B. from Columbia College, N. Y., in 1868, and received the degree of A. M. from the same in 1871. He commenced the study of medicine in 1867, in New York City; attended three courses of medical lectures at the College of Physicians and Surgeons in the City of New York, together with hospital practice and summer terms, and was graduated M. D. in 1871. He commenced the practice of his profession the same year in New York City. He is a member of the New York Academy of Medicine, New York Academy of Science and of the American Fisheries Society. He was adjunct professor of the English language and literature at Columbia College 1884; professor of rhetoric at the same college since 1891, and professor of rhetoric at Barnard College for Women 1891-93. In 1894 he took a course in study at the Post-Graduate Medical College of New York City. 


Professor Quackenbos's medical work has been encroached upon by other scientific and literary labors. The literary engagements of his father, Dr. G. P. Quackenbos, the well known author, renders it necessary for him to devote a large portion of his time to the editing of educational books; and the death of his father, in 1881, cast upon him a weight of responsibility and labor under which he completely broke down and was compelled to seek relief in foreign travel. 
Dr. Quackenbos is himself the author and editor of fourteen standard works. Those especially associated with his name are: 

A " History of the World," 1876;
A " History of Ancient Literature," 1878;
" Appleton's Geographies," 1880-81;
A " History of the English Language," 1884;
" Physical Geography," 1887;
" Text-book on Physics, on a New Basis," 1891;

Dr. Quackenbos is also well known as a lecturer on scientific and literary subjects, and is to be credited with having brought to public notice, through literary channels, the presence of a fourth charr, in New England waters, viz.: the so-called Sunapee Lake trout, or American Saibling. His literary contracts having been largely concluded, and his twenty-four years of college instruction having come to an end, he will devote himself to private medical practice. He has recently established a summer sanitarium at Sunapee Lake, New London, New Hampshire, to which he will give his personal attention. 

 Source: Physicians and Surgeons of America. 

Tuesday, February 18, 2020

George Payn Quackenbos

George Payn Quackenbos, son of George Clinton Quackenbos; born September 4, I826; married to Louise B. Duncan. The couple had the following children: John Duncan, born April 22, 1848; Mary Louise, married to Theodore Robert Sheer; Helen, died very young.

George Payne Quackenbos was born in the city of New York on September 4, 1826. At an early age he was placed at the grammar school of Columbia College, where his studies were directed by the late Dr. Anthon. He entered Columbia at 13, and graduated with honor in 1843, taking the English Salutatory. After a year passed in North Carolina, he commenced the study of law in his native city, but, finding it uncongenial, he gave it up after eighteen months, and resolved to make teaching and literature the profession of his life. In 1847 he established the Henry Street Grammar school, and, although it was situated in a district that was rapidly deteriorating, he raised this institution to an enviable rank among the private schools of the city. Here he remained for eight years, when he accepted an offer of partnership from the late WilHam Forrest, the oldest principal in New York, whose Collegiate School had for more than forty years enjoyed the highest reputation. After three years Mr. Forrest withdrew, and Prof. Quackenbos became the sole head of this flourishing institution.

Under his management its efficiency and reputation were fully maintained, while its sphere of usefulness was largely extended. Hundreds of young men passed through his hands, and hundreds in every walk of life, commercial and professional, can bear witness to his unremitting care and thorough training. As a teacher he was eminently successful. His discipline was a judicious mixture of the suaviter in modo with the fortiter in re; perhaps his pupils thought at the time that the fortiter was rather in excess. Perfect obedience and hard work were the keynotes to which he sought to attune his school; being on hand early and late, not shrinking from the drudgery of teaching himself, ever ready to explain difficulties, and seeking to establish that personal influence on which the higher success of the educator so largely depends. He has the satisfaction of seeing many of his old scholars satisfactorily filling positions of honor and usefulness; among them we may name Governor Woodford, whom he prepared for college.

Mr. Quackenbos was actively engaged in school duties for about twenty years, by which time his book interests had become so large, and the labors connected therewith so engrossing that he retired from teaching, and has for the last six years confined himself to literary work. Of his labors in this department, on which his reputation principally rests, it is time we should speak. A taste for literature led Mr. Quackenbos at an early age to become a contributor to various magazines and newspapers, and in 1848 he projected a weekly paper, the "Literary American," which, after he had conducted it for two years, became merged in a musical paper, the " Message Bird." He subsequently formed for short periods other editorial connections, and in 1853, during the Crystal Palace Exposition, was the regular New York contributor of no less than 24 daily and weekly newspapers in different parts of the country—all this, it will be remembered, while he was at hard work from six to seven hours a day in the school room.

An iron constitution has enabled him, throughout his life, to endure a strain which would have proved fatal to men of ordinary strength. We heard him remark, a short time since, that he had been confined to bed by sickness but one day within the last thirty-five years. But it is his school books that have made Professor Quackenbos known throughout the length and breadth of the land. The earliest of these was his "First Lessons in Composition," published in 1851. It was suggested by the difficulty which he found in teaching his scholars to make a practical use of their lessons in grammar, in enabling them by the systems then in vogue to express themselves fluently and elegantly, and acquire such readiness in composition as is necessary to every one in the business of life. He saw that there was something more needed than the old-fashioned parsing and analysis, and sought to infuse life into the dry bones of etymology and syntax.

Instead of taking apart, he taught the learner in this book to build up; without referring to the technical details of grammar, he led the youthful beginner unconsciously to a familiar acquaintance with its practical applications. This little book was, in fact, the germ of the "Language Lessons" of the present day. It had a remarkable success; it clothed with interest what had before been dry ana repulsive; it taught how to speak and write correctly, as no grammar had done. It was at once largely introduced, and, despite several close imitations of it (even in title) by subsequent authors, it has maintained its place in the schools, and is probably used at the present day more largely than all other text books on composition put together. More than 400,000 copies have been printed. As a further evidence of its popularity, we may add that it was reprinted in the Confederate states during the late war.

The unprecedented success of this first book led to the preparation of the "Advanced Course of Composition and Rhetoric" in 1854. This was a manual of academic or collegiate grade, in which it was aimed to present a variety of subjects, all connected and having a common bearing on the mastery of our language, but which, as usually treated of in a number of different text books, were apt, amid the multiplicity of academic studies, to a greater or less extent to be neglected.

Before the appearance of Quackenbos's Rhetoric there was no single volume from which the learner could get an insight into the origin and peculiar characteristics of our language, taste the pleasures of the imagination, style, criticism and figures; together with practical instruction in punctuation and the niceties of composition. Here was a book that contained the substance of Blair, Kames, Burke, Akenside, Addison and other standards, condensed in a reasonable space and brought down to the level of the dullest comprehension. It met a want, and its success was immediate and permanent. With such a text book, rhetoric could be made an attractive as well as useful study; and many institutions in which it had before been unknown introduced it as a regular branch of their curriculum. A general call from parties who used the "First Lessons" and "Rhetoric" induced the author to compile his comprehensive work on " English Grammar " (1862), and "First Book in Grammar" (1864).

These books have been very generally commended for their terseness of rule and definition, their fullness of illustration, their simple and natural treatment of the subject, their explanations of perplexing constructions, their saving of labor to the teacher, and their remarkable adaptation to the class room. They completed the series on language.

Meanwhile, Professor Quackenbos had been engaged by the Messrs. Appleton to edit the Paris edition of Spiers's French Dictionary. This great work (1,300 pages octavo) cost him sixteen months of the severest labor. There was need of despatch, for an American edition of the same book had also been advertised by another house, and its editorial care intrusted to Dr. Anthon, whose unflagging industry and capacity for brain work were proverbial. It may well be supposed that Mr. Quackenbos felt some trepidation in being thus pitted against the eminent scholar who for seven years in school and college he had reverenced as his teacher ; but he went at the work with an energy that insured success, distancing his competitor so far in point of time that on the appearance of his edition the rival house, finding the market forestalled, abandoned the enterprise and destroyed the plates that had been made. (Dr. Anthon is himself the authority for this statement.) From sixteen to eighteen hours' labor a day was no uncommon thing with Mr. Quackenbos, while this work was going through the press. Spiers's book was thoroughly corrected, the pronunciation was added, a number of new features were introduced, with numerous phrases and idioms, and 4,000 French words gleaned from general literature or belonging to scientific nomenclature. Quackenbos's addition of Spiers has remained to this day the standard French Dictionary.

We have little space left in which to speak of the remaining books of our author. There are few, we imagine, to whom they are not well known. His United States Histories, so different from the dry compilations, whose name is legion, have charmed many a class, and done much to promote a taste for general historical reading among the young. Professor Clifford thus happily hits off their distinctive feature : " Mr. Quackenbos," he says, "selects the prominent points, and weaves them into an easy narrative that attracts the young mind with much of the charm of a fairy tale or of Robinson Crusoe; yet in no instance does he violate historical truths to add zest to the story."

A Natural Philosophy appeared from Mr. Quackenbos's pen in 1859. His latest works are the Arithmetics of Appletons' Mathematical Course. These books are marked by the same merits and have met with the same success as their predecessors. They take nothing for granted, proceed inductively by gradual advances from what is known to what is unknown, and show even to the casual examiner that they are the work of one who has studied the youthful mind, and knows how to remove difficulties that are likely to be its stumbling block.

In connection with Quackenbos's school books two things are noticeable: 1. That they have all been successful— he has never made a miss; 2. That they cover a wide range of subjects. This by no means implies a wonderful versatility or variety of accomplishment in their author, but simply that he understands how to make a good school book. The same characteristics of mind, the same qualities of style, the same knowledge of what is needed in the school room, that enabled him to prepare a good rhetoric, have also enabled him to produce good histories and good arithmetics. The making of school books, as the " Methodist Quarterly Review " once remarked, is his proper vocation.

An interesting incident which occurred two winters since is worthy of narration. At a reception given to Professor Tyndall, a mutual friend introduced Mr. Quackenbos to Mori, the Japanese Minister. "What name? What name did you say? " asked Mori, as he heard the Dutch patronymic of our friend. It was repeated. " Ah! " exclaimed Mori, "that is a name well known in Japan." Mr. Quackenbos was naturally curious to to learn the meaning of this remark; and on inquiry it appeared that several of his different text books had found their way to "the sunrise kingdom" with the first Japanese ambassadors that had visited this country, had there been translated by an eminent native educator, and were used as manuals in the government schools.

We omitted to say that Mr. Quackenbos received the degree of L.L.D. from Wesleyan University—a fitting honor to one who in the amount of literary labor performed has been surpassed by few men of his years. We have not been able to gather many incidents worth recording in his career, for he has led the quiet, uneventful life of a student; but he certainly has cause to look back with satisfaction on his labors in the cause of education. The results he has achieved show how much can be accomplished by a rigid economy of time and a determined purpose to make the most of every moment. (From Appleton's " Educational Notes," August, 1881).

George Payn Quackenbos died July 24, 1881. The immediate cause of his death was disease of the heart, from which he had been suffering for some time, but doubtless his death was hastened by the shock resulting from a painful accident with which he met at New London earlier in the month, when he was thrown from his carriage, causing a fracture of the leg and other severe injuries.

After his passing, his son, John Duncan Quackenbos picked up the torch of updating and writing more school books.

Monday, February 17, 2020

Quackenbush Store Grand Opening!



The Quackenbush Store is now open! Initially, I am providing digital downloads of epub and PDF electronic books written by members of the Quackenbush family. All items in this category are absolutely free, provided in "as is" condition and can be downloaded as many times as you desire.

These works have been selected by scholars as being culturally important, and are part of the knowledge base of civilization as we know it. These works were reproduced from the original artifacts, and remain as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

These works are in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

As reproductions of historical artifacts, these works may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and I concur, that these works are important enough to be preserved, reproduced, and made generally available to the public. I appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The number of works currently available is limited, however, over a short period of time will grow to quite a sizable library. Enjoy!